Inspiring their choice on the traditions of these countries, some students baked a Galette du Rois or other baked goods, similarly to France, others did a good deed for their community, like children do in Germany, or sang a festive song like they do in Portugal. After reading how this day, January 6th, is celebrated around the world in places like Bulgaria, Cuba, France, Germany, Perú, Portugal, and Puerto Rico each student worked on a project for which they chose how they wanted to take part in the festivities. Session 2: 7:30-7:50 (Amos, Anna, Clem, Didi)Īt the start of the second trimester the Intermedio 2 class learned about Three Kings Day, a popular holiday around the world. Students then voted on what script was going to be filmed, and they worked collaboratively during the filming and editing process.Ĭome and hear from students about their projects! Once their scripts were finished, we had a read-through in class. Once these main events were revised, each student chose a specific event to develop a script for one scene. When writing these they employed the preterite tense. After choosing a major plot point, they wrote the main events in their telenovela using the format of a timeline. Once we finished the book and discussed its story arch, students continued developing the telenovela project they started last trimester.
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While doing so we worked on learning how to express our ideas in the past by using the preterite tense. They also included a reflection of their last year, as well as their hopes and wishes for the new year.Īfterwards, we continued reading and discussing the short novel Quince. In their letters they introduced themselves by writing brief descriptions. As it is customary in many Spanish speaking countries, each student wrote a letter to the three kings and decorated a paper-made shoe which they filled with grass, also made out of paper. I honestly can’t imagine a life without him in it.We started the second trimester of Español Intermedio MS celebrating Three Kings Day, a popular holiday around the world. There is no way to overestimate Steve’s impact on my life and work. He suddenly noticed me, and I said “Hello!” and he burst out, “Oh, hello! You were wonderful, most of the time.” That comma, that breadth of affirmation and doubt, is what makes him so astounding, and so wonderful to sing - most of the time. How I cherished his ambivalences! Once, after the final dress rehearsal for “Do I Hear a Waltz?” Sondheim stood in front of the entire company and crew. He was simply one of our greatest teachers. Listen to it, sometimes listen more than once because the simplicity with which he expresses the most complicated human emotions - he’s able to do it in a way that once you hear it, it’s unforgettable. Walk in privacy, walk with a friend, put it on at different times in your life. Take a walk in the words and music that he left us. I always say, he gave me so much to sing about. He was like Shakespeare, and what a privilege to be able to say, “Steve, what did you mean when you wrote that?” You could get it right from the horse’s mouth. And I’m surely not alone in that feeling. What do you say when the ocean goes away, or when a mountain disappears? Steve was that elemental and irreplaceable a part of my career and my understanding of art and life. Which is appropriate, I guess, given that is exactly how his music always affected me.
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AUDRA McDONALDĮven in a time so full of loss, this news feels like a unique punch to the heart. He was a giant, he was a genius, he was a legend, he was wickedly funny, he was wildly supportive but bluntly honest, and he was one of the wisest, toughest, most profound mentor/teachers I’ve ever known. I can’t quite process what the world (especially the theatrical world) looks like without him. I’m weirdly numb and super-emotional all at the same time. (The pop tunesmith Jack Antonoff did, too.) And, given how often Sondheim songs traded in wistfulness and melancholy, the composer’s own lyrics were used to celebrate and remember him, too.
Comparisons to Shakespeare were invoked more than once so was appreciation for his tough-love feedback to those who interpreted his songs.īecause the Pulitzer-Prize-winning composer of such beloved shows as “Sunday in the Park With George” and “Sweeney Todd” was known for his wit and wordplay, writers who stick to the page, not the stage, weighed in with admiration as well. Passionate tributes to Stephen Sondheim came quickly as the news of his death reached the theater world and beyond on Friday.